Without being pointed at, you would still be able to notice that there is a strange power in the smile of the Mona Lisa painting by Leonardo da Vinci. Painting a smile by only showing the mouth, George Starkey evokes complicated senses because of the removal of other features. In a novel entitled Genocidal Organ, Keisaku Ito once depicted an extreme love by a grammar of genocide John Paul. On the other hand, to which extreme does the grammar of smile try to indicate?

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